Nach Auktion in Köln: Altmeisterliche Blütenpracht für das Getty Museum
Aus Familienbesitz in den Auktionssaal und weiter ins Museum: Jan Davidszoon de Heems wiederentdecktes Blumenstillleben, das voriges Jahr bei Lempertz in Köln versteigert wurde, kommt nach Los Angeles.

In a remarkable turn of events, a recently auctioned flower still life by the Dutch Golden Age painter Jan Davidszoon de Heem has been acquired by the J. Paul Getty Museum in Los Angeles. The painting, which was discovered in a private collection and sold at Lempertz auction house in Cologne last year, has now found its way into the esteemed museum's collection.
The painting, titled "Still Life with Flowers," was initially thought to be a work by a follower of de Heem, but upon closer inspection, it was reattributed to the master himself. This rediscovery has sparked renewed interest in the artist's oeuvre, which has long been overshadowed by the more famous works of his contemporaries like Jacob van Huysum and Rachel Ruysch.
The journey of the painting began in a private collection, where it had been passed down through generations. The owner, who wished to remain anonymous, decided to put the piece up for auction, hoping it would find a new home in a prestigious institution. The painting was then acquired by an anonymous bidder at the Lempertz auction in Cologne, where it sold for a significant sum.
The J. Paul Getty Museum, known for its extensive collection of European paintings and sculptures, was eager to acquire the piece. The museum's curators were particularly interested in expanding its holdings of Dutch Golden Age still lifes, and this discovery presented an opportunity to add a significant work to their collection.
The acquisition of the painting marks a significant addition to the Getty Museum's collection, which already includes notable works by de Heem. The museum plans to exhibit the piece alongside other still lifes from the same period, allowing visitors to appreciate the artist's mastery of floral arrangements and his contribution to the genre.
The rediscovery of de Heem's "Still Life with Flowers" has also prompted art historians to reevaluate the artist's place in the history of Dutch still life painting. While de Heem was once considered a follower of his more famous contemporaries, recent discoveries like this one have begun to rehabilitate his reputation as a skilled and independent artist.
The auction house Lempertz, which played a pivotal role in bringing the painting to light, has expressed its delight at the outcome. The auction house's director noted that the sale of the painting was a testament to the growing interest in Dutch Golden Age art and the importance of private collections in preserving such works.
In the end, the journey of de Heem's "Still Life with Flowers" from a private collection to the Getty Museum in Los Angeles serves as a reminder of the dynamic nature of the art world. It also highlights the crucial role that auction houses and private collectors play in unearthing and preserving art that might otherwise remain hidden.
The J. Paul Getty Museum's acquisition of the painting is expected to be announced in the coming weeks, with plans for a special exhibition to showcase the piece and its significance in the context of Dutch Golden Age still life painting. Art enthusiasts and scholars alike are eagerly anticipating the opportunity to view this newly rediscovered masterpiece.










